Fantasy Grammy 2025 - Vote Here

Do you have what it takes to predict this year’s Grammy winners? Join our Fantasy Grammy challenge and stand the chance to win a 12-month Expert Membership. Cast your votes on our community platform and join the celebration ahead Music’s Biggest Night! Guess all ten categories correctly on the Fantasy Grammy poll and you will be upgraded to Expert free of charge. This grand prize will give you access to our exclusive new Consulting services, limited-edition plugins, AI acoustics tools and much more.Polls are now open.

Submissions close on Saturday February 1 at midnight CET.


Vote for who you think will win the “Song of the year” category in 2025:

  • Shaboozey – A Bar Song (Tipsy)
  • Billie Eilish – Birds of a Feather
  • Lady Gaga and Bruno Mars – Die With a Smile
  • Taylor Swift featuring Post Malone – Fortnight
  • Chappell Roan – Good Luck, Babe!
  • Kendrick Lamar – Not Like Us
  • Sabrina Carpenter – Please Please Please
  • Beyoncé – Texas Hold ’Em
0 voters

Vote for who you think will win the “Album of the year” category in 2025:

  • André 3000 – New Blue Sun
  • Beyoncé – Cowboy Carter
  • Cowboy Carter Sabrina Carpenter – Short n’ Sweet
  • Charli xcx – Brat
  • Jacob Collier – Djesse Vol 4
  • Billie Eilish – Hit Me Hard and Soft
  • Chappell Roan – The Rise and Fall of a Midwest Princess
  • Taylor Swift – The Tortured Poets Department
0 voters

Vote for who you think will win the “Record of the Year” category in 2025:

  • The Beatles – Now and Then
  • Beyoncé – Texas Hold ’Em
  • Sabrina Carpenter – Espresso
  • Charli xcx – 360
  • Billie Eilish – Birds of a Feather
  • Kendrick Lamar – Not Like Us
  • Chappell Roan – Good Luck, Babe!
  • Taylor Swift featuring Post Malone – Fortnight
0 voters

Vote for who you think will win the “Producer of the year, non-classical” category in 2025:

  • Alissia
  • Dernst “D’Mile” Emile II
  • Ian Fitchuk
  • Mustard
  • Daniel Nigro
0 voters

Vote for who you think will win the “Best Rap album” category in 2025:

  • J. Cole – Might Delete Later
  • Common and Pete Rock – The Auditorium, Vol 1
  • Doechii – Alligator Bites Never Heal
  • Eminem – The Death of Slim Shady (Coup De Grâce)
  • Future and Metro Boomin – We Don’t Trust You
0 voters

Vote for who you think will win the “Best Rock album” category in 2025:

  • The Black Crowes – Happiness Bastards
  • Fontaines DC – Romance
  • Green Day – Saviors
  • Idles – Tangk
  • Pearl Jam – Dark Matter
  • The Rolling Stones – Hackney Diamonds
  • Jack White – No Name
0 voters

Vote for who you think will win the “Best dance/electronic recording” category in 2025:

  • Disclosure – She’s Gone, Dance On
  • Four Tet – Loved
  • Fred Again… and Baby Keem – Leavemealone
  • Justice and Tame Impala – Neverender
  • Kaytranada – Witchy
0 voters

Vote for who you think will win the “Best Jazz Vocal Album” category in 2025:

  • Christie Dashiell - Journey In Black
  • Kurt Elling & Sullivan Fortner - Wildflowers Vol. 1
  • Samara Joy - A Joyful Holiday
  • Milton Nascimento & Esperanza Spalding - Milton + esperanza
  • Catherine Russell & Sean Mason - My Ideal
0 voters

Vote for who you think will win the “Best Engineered Album, Non-Classical” category in 2025:

  • Sabrina Carpenter - Short n’ Sweet
  • Peter Gabriel - I/o
  • Willow Smith - Empathogen
  • Kacey Musgraves - Deeper Well
  • Charlotte Day Wilson - Cyan Blue
  • Lucky Daye - Algorithm
0 voters

Engineers featured on nominated albums:

  • Sabrina Carpenter - Short n’ Sweet
    Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan & Laura Sisk, engineers; Nathan Dantzler & Ruairi O’Flaherty, mastering engineers

  • Peter Gabriel - I/o
    Tchad Blake, Oli Jacobs, Katie May, Dom Shaw & Mark “Spike” Stent, engineers; Matt Colton, mastering engineer

  • Willow Smith - Empathogen
    Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller & Willow Smith, engineers; Joe LaPorta, mastering engineer

  • Kacey Musgraves - Deeper Well
    Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder & Daniel Tashian, engineers; Greg Calbi, mastering engineer

  • Charlotte Day Wilson - Cyan Blue
    Jack Emblem, Jack Rochon & Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer

  • Lucky Daye - Algorithm
    Dernst Emile II, Michael B. Hunter, Jordan Johnson, Stefan Johnson, Rachel Keen, John Kercy, Charles Moniz & Todd Robinson, engineers; Colin Leonard, mastering engineer


Vote for who you think will win the “Best Immersive Audio Album” category in 2025:

  • Ensemble 96 & Current Saxophone Quartet - Pax
  • Peter Gabriel - i/o (In-Side Mix)
  • Trondheim Symphony Orchestra - Henning Sommerro: Borders
  • Ray Charles With Various Artists - Genius Loves Company
  • Avalon - Roxy Music
0 voters

Engineers features on nominated albums:

  • Ensemble 96 & Current Saxophone Quartet - Pax
    Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer

  • Peter Gabriel - i/o (In-Side Mix)
    Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer

  • Trondheim Symphony Orchestra - Henning Sommerro: Borders
    Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer

  • Ray Charles With Various Artists - Genius Loves Company
    Michael Romanowski, Eric Schilling & Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer

  • Avalon - Roxy Music
    Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies & Bryan Ferry, immersive producers


5 Likes

Birds of a Feather for “Record of the year”, no doubt.

3 Likes

Hey guys, write your opinion. I’m listening to the Grammy-winning song Not Like Us by Kendrick Lamar again and again and wondering what makes it so special. It has 1 billion streams on Spotify. That’s no coincidence. To me, it just sounds like another typical rap song, nothing special. What do you think makes it stand out?

1 Like