Thank you for your videos and sharing some in-depth thoughts, really useful indeed! I’ve been a big fan of yours since Broken Flowers and I love the melodies and compositions, addictive playfulness and sound of space and impact in your productions.
I’m glad you covered arpeggios - even though there only is a small snippet (alas!) of an arpeggio in this track, I wonder how you normally approach them. I’ve noticed that in Forever for instance there is a very creative and performative element in the arpeggios, which never remain static. Are there any techniques, arpeggiators or approaches that you recommend?